Elevation: John Duffy

01. Writer

John Duffy


02. Theme

Elevation


03. MUSIC INSPIRATION

Ben Folds Five:
Army


04. WRITING

Freedom Isn’t

This is the light of autumn, not the light of spring. /…How privileged you are, to be still passionately / clinging to what you love; the forfeit of hope has not destroyed you. / This is the light of autumn; it has turned on us. / Surely it is a privilege to approach the end / still believing in something.
—Louise Glück

No intelligent radical can fail to realize the need of the rational education of the young. …Only by freeing education from compulsion and restraint can we create the environment for the manifestation of the spontaneous interest and inner incentives on the part of the child. ...It will produce men and women capable, in the words of Francisco Ferrer, “of evolving without stopping, of destroying and renewing their environment without cessation; of renewing themselves also; always ready to accept what is best, happy in the triumph of new ideas, aspiring to live multiple lives in one life.”  
—Alexander Berkman

It’s lunchtime and the military’s back.  Their operation is bigger than before. There’s a chin-up bar with streamers on it.  A crowd has formed. Only 10 minutes until 5th hour. A woman in an army uniform is directing traffic.  The medals she’s wearing suggest that she’s seen active combat, one kid says. Behind her, a middle-aged man eyes potential candidates.  He’s wearing a grey suit and a light blue tie. His hands are crossed in front of him and his nose is in the air. He looks like a TV mob boss.

One kid signals that he’s ready to participate.  He writes his name on the sign-up list. The challenge requires it.  If you win, you get a water bottle emblazoned with a military logo. Lose, and the crowd will laugh at you.  No water bottle. But your name remains on the list.

The kid wins and the crowd cheers.  The girls in front take pictures and shout in excitement.  The line of hopeful boys now stretches all the way to the bathroom doors.  Two other Marines step in to man the desk. An unsure boy asks one of the Marines about his gun.  They start a conversation, and the Marine urges the boy to sign the list. I’d rather not, the boy says.  I can’t do a chin-up. Don’t worry, the Marine says. We’ll give you a call and maybe we can talk guns or something.  The boy beams. A connection.

The spectacle continues.  TV mob guy whispers to the woman in uniform.  He saw two boys who looked interested but who then walked away.  Her pursuit lasts less than a minute. Have you considered the challenge, she asks.  The boys look at each other and shrug. She points back to the crowd, to the girls, to the water bottles.  The boys are quietly escorted to the front of the line. They sign their names, compete, and win. Water bottles for them, too.

Elevation: Michelle Lukezic

01. Writer

Michelle Lukezic


02. Theme

Elevation


03. MUSIC INSPIRATION

Muse:
The 2nd Law: Isolated System


04. WRITING

In an isolated system, entropy can only increase.

I’ve always felt different, indescribably different. Different felt shameful. Different felt unworthy. Different felt like no one could ever understand me; and certainly not to the depth that I intuitively could understand them. So I hid. I thought that I was fostering connection through providing utility for others. In desperation, I taught myself how to bend who I was in attempt to belong. If I could just provide more utility, or find a way to fit in; just maybe I would get the connection I was searching for.

It turns out that my strategy was a poor one. It didn’t foster connection; it conditioned me to be an inauthentic doormat, and it amplified my feelings of shame, unworthiness and aloneness. I lost who I was; I lost my voice.

When it became unbearable, I really had two options:
1. Figure out a way that I could exist in this world (while managing the crushing pain of loneliness), or
2. Figure out a way to die.

There wasn’t some grand pivotal moment or turning-point of clarity; however, because I asked myself the above question (and other questions like it) I started to turn towards introspection. I found joy in curiosity and discovery. I started diving into philosophy & theory (perspective); art & music (creation); writing & journaling (expression); and dance & sport (release). I dedicated energy towards self-growth. I made a promise to never stop improving.

I have a current (work-in-progress) conclusion: To alleviate the pain of loneliness, I have to be willing to experience the potential pain of being vulnerable. To be both unafraid of, and accepting of pain. To be myself, to speak my truth.

It seems that people find it easy to connect with me. A lifetime of feeling disconnected has acutely taught me that I never want someone else to feel the same pain from loneliness the way I do. I try to advance the conditions requisite to allow someone to be vulnerable; to be seen, heard and valued for all their messy raw awesomeness.

It’s in the realness that we can find genuine connection.

It’s in the connection that we can find order–together–and become whole again.

Elevation: Eric C. Nixon

01. Writer

Eric C. Nixon


02. Theme

Elevation


03. MUSIC INSPIRATION

Deadmau5:
Somewhere Up Here


04. WRITING

There's a secret I wanna show you
Let me take you into the garage.

What you see here,
these projects, these machines

What I've been working on here –
a new invention

I've been engineering.

I've been doing research for a while

This, a hyperpowered jet thruster,
…an antigravity flow chamber
still small enough to fit in the soles of your shoes.

Here ...biogradium steel component
endogrativity manipulator
 - a mobile propeller - 
(I've actually designed shoes 
for actual human flight) 

And
a shield
of invisibility 
to bypass TSA air space

I've been going outside at night.
I've gone a lot of places
Places of my dreams

I want to take you into the air
I want to show you the city, 
from above

Let's go back to Michigan
We'll cross the Lake.
imagine what the city looks like from far away
far across the glassy water, waves rippling
horizon to horizon

- - - - 

only water in sight
just hold on tight
We own the night

I remember 
as a little kid
standing at the flight deck of my oreo airship 
listening to “we will become silhouettes” 
before crashing into the sea of milk


You can really do anything;

alter reality

step by step

with the knowledge you ascertain


(Fading

effortlessly fading

into the blue sky)

there is a philosophy

not to hold any belief too strong

and everything is temporary -

time 

the difference:

you can decide to be happy

you must constantly be challenging yourself.

only water in sight
just hold on tight
We own the night

;

Elevation: Miranda Ireland

01. Writer

Miranda Ireland


02. Theme

Elevation


03. MUSIC INSPIRATION

Khai Dreams:
Ultimately


04. WRITING

I told you something that I probably shouldn’t have

It was a lie why did I try to make you understand it if it wasn’t even real

I was kidding myself I was living in the highest fantasy

It was a dream, I could conceive of better things of make believe

But I didn’t know what I had and so I’m glad you told me to fuck off so I

Could get some help

Is it weird that after all of this I still want to be friends? I know the end has come and gone but I’m still trying to hold on

I need to move along and get my shit together and maybe I will be happy

I don’t believe in choosing happiness you need to

Choose the things that make you happiest

That makes more sense to me

Junk: David Beuthin

01. Writer

David Beuthin


02. Theme

Junk


03. MUSIC INSPIRATION

Hippo Campus:
Why Even Try


04. WRITING

wearing her white gloves
she grabs me without a touch
i look at her eyes
i ask her

do you see my heart?
it is so full
for you

do you see my eyes?
they stare so deeply
into you

do you see my love?
i cannot be
without you

mist falls over her
hair lightens the night
she turns away
my heart turns to junk

Junk: Brian Stout

01. Writer

Brian Stout


02. Theme

Junk


03. MUSIC INSPIRATION

King Missile: Detachable Penis


04. WRITING

So this guy has a detachable penis. And then he loses it. He looks everywhere, asks his friends about its whereabouts, and ultimately has to pay seventeen bucks to a street vendor to get it back. The song itself sounds like a bar band hanging out on spoken word open mic night, with a vocal delivery that was an unholy alliance of the MTV Buzz Bin and this. Fifteen minutes of fame ensue. According to Lyric Genius, the notoriety also cost them airplay, but I scarcely remember this being accurate.

How’d they rope Richard Kern into directing? None of his calling cards or grit are on display. The video is as literal as the song, and equally boring. If this happened today, we’d probably have a YouTube channel or Tumblr to keep us informed of its adventures. One million followers for the detachable penis.

Worse yet, they missed the most intriguing part. What was his penis doing during its time away, while Hall was sleeping it off?

We have to stick with Hall because the song’s not called “Talking Penis,” but the video is a missed opportunity.

Did it get mad because he left it someplace? The narrator did mention he frequently loses it. I imagine an underappreciated detachable penis deciding to teach the owner a lesson.

Did they have a fight? Maybe it stormed off, got drunk, and passed out on the street vendor’s blanket? Maybe this is the reason for the frequent separations.

Maybe it was concerned about the prospects for the night, seeking to avoid being put someplace it didn’t want to go? Maybe it was brought out at an inopportune time, and the embarrassment was too much to bear.

Perhaps it jumped into an attractive woman’s purse or an attractive man’s jacket pocket, either to play matchmaker or strike out on its own.

Did it met up with another detachable to paint the town red? Maybe I’ve got it all wrong and Hall tossed it aside because it wasn’t operating as intended?

And what happened at the reunite? Did they embrace? Go get a beer and talk things out? Maybe it was the start of an epic blowout that led to one party moving out. Now they just exchange nods if they see each other from across the crowded room. Was Hall forced to find a new one?

Haven’t heard from John S. Hall for a minute, so I hope he and his penis came to an understanding. Or at least that he’s become more responsible about detachable penis ownership. I’d hate to find out he’s MIA because he’s lost it again.

Junk: Dan Waters

01. Writer

Dan Waters


02. Theme

Junk


03. MUSIC INSPIRATION

Red Hot Chili Peppers:
Throw Away Your Television


04. WRITING

Throw away the junk.

Throw away all the things that do not serve you. That have no purpose in your growth.
Throw away the junk.
All the things you do not need. The things that have no real meaning to you.
All the things that keep you stagnant.
Throw away the lies you’ve been told by others.
Throw away the lies you have told to your selves.
Strip back everything that is not you,
Hold on to what is.

Throw away the junk.

Junk: Anne Trelfa

01. Writer

Anne Trelfa


02. Theme

Junk


03. MUSIC INSPIRATION

Daughter:
Landfill


04. WRITING

Kelvin, appeared daily at the dump, the sun barely rising over what the neighbors nicknamed, “Molehill Mountain.” Seagulls nesting in crushed styrofoam cups, their webbed feet smashing milky feces, adding to the faux-mountain’s snow-covered peaks. He never forgot his turkey and cheese on white bread rolled in a brown-paper-bag, smashed under his arm and navy, pit-stained T.

He worked the bulldozer the last five years, anticipating the gear shift that stuck, his biceps taut and familiar with the pull, wiping his forehead with a rag and using the sweat to smear the dust off the “CAT A66G,” tramp stamp on its left hip.  

Listening to Bob Marley, dead before he was born, in his headphones wailing, “Rise up this mornin', smile with the risin’ sun, three little birds, pitch by my doorstep, singin’ sweet song.”

He got home, pushing the front door open into last months’ white shirts and sweat stains, stripping down to nothing, peeling white skivvies off sweaty balls and flaccid dick. Constructing his own fortress, today’s drippings, a sacrifice.

Knowing no washer deserved what he force-fed it. Stuffing the peaks and valleys of weeks work into garbage bags, to the laundromat. Fingering his quarters...much too shining, so guilty like he should have said a prayer for them, or the machine.

Kelvin showed up to Mass, and knelt on wooden slabs, lighting a white candle for his relatives, trying to focus on God, focusing instead on the pain in his knees. “with lively sorrow for my sins I offer you this poor heart of mine. Make me humble, patient, pure and wholly obedient to your will,” and tucked the sacred heart devotional under his arm.

Colored light of sun passes through the Passion of the Christ, through the Sacred Heart, in windows across his face. He took in the Body of Christ, turned into flour and water, before his phone vibrated the timer, time to toss his wet clothes into the dryer.

In a machine that created heat and tossed it around, he held THAT smell, passing the garbage dump and its burning blue light, saving us from the buildup of toxic fumes, making it impossible to brew a good cup of coffee. Kelvin brought a green thermos instead that used to belong to his father.

His dad took it to the shop, on the assembly line where man pretended to be giant machines pushing bolts into car parts. Parts to parts, piles on parts, “all my life I’ve never made a damn thing,” he said, threading a needle and never sewing.

His mother, making a life

Gathering fuzz
from corners
of the house.

Kelvin thought out loud to the washing machine, folding taint-ed fabric, “that machine had mercy on him,”
deciding, through forced bidding, to crush him—
admitting, the machine wasn’t great at hearing,
deaf from roaring
nonstop,
and it never heard
the bones and
veins
pop.

Junk: Sam Moore

01. Writer

Sam Moore


02. Theme

Junk


03. MUSIC INSPIRATION

Smeyeul:
Bedroom


04. WRITING

The first few nights it happened, I ignored the noise, passed it off as the creakings of our old house, or something else just as ordinary and mundane. This particular night, however, was different. I laid in bed, sprawled on the mattress that rested directly upon the floor, all the junk of my bedroom scattered around me in a mess. Pale moonlight poured in, passing through my curtained windows as easily as water seeping through a net. The light always fell directly onto my bed, onto me. Sometimes it was beautiful, other times it kept me awake. Tonight it was the latter, which meant I was conscious to hear that same noise again.

It was like a metal creaking. Like a hatch being opened, gratingly, then closed. My room was just on the other side of our porch outside, and the noise sounded as if it were happening right outside my room. This time I got up, rose from my messy room, and went to the door. I peered through the window at the top. A blob of shadow had formed at the base of the porch, but the night made it impossible to make out. I flipped on the porch light and the blob of shadow took visible form.

Someone was delivering mail to me in the middle of the night.

They looked like a postman from a hundred years prior, complete with a cap (with some sort of insignia on it), dark button-up uniform, and satchel. It looked as if he had just wandered from a different age to be here, in the present, at my house in the dead of night. He was ghostly pale and had a 5 o’clock shadow with a sagging, worn face, like he had just been woken in the middle of the night and asked to do this bizarre job against his will. When I flipped on the light he sluggishly looked up for a moment, hanging his gaze on me. He obviously knew I was there, but this didn’t phase him at all. To him, whether I watched him work or not made no difference at all. He reached into his bag, pulled out a letter, and placed it in the mailbox. Then he closed the lid, which made that same creaking noise I had heard for several nights in a row, and left.

What do I do? I wondered. The image of this man wandering the night, delivering mail in the dark, felt too strange for me to form a cohesive decision. Mail isn’t delivered at night. This makes no sense. Perhaps I’m still dreaming?

I certainly felt awake, though. This world was solid and concrete, unlike the dreamworld. I could flip on the lights and feel the switch, could touch the door and feel the handle, could feel that glob of muscle beating against the inside of my chest as if it were impatiently beating on a locked door.

The postman sluggishly sauntered off into the night. I sheepishly opened the front door and stepped onto the porch. The night air was cold and pricked my skin, and quickly washed away any leftover thoughts of “this is just a dream” that still lingered. I glanced down the street and saw no sign of the postman. Not even a blob of shadow trudging its way into the dark.

I didn’t want to open the creaking metal mailbox and retrieve whatever that man had left. The whole experience had altered how I perceived the thing, like I’d be prying open the mouth of some strange beast and reaching inside.

I did it quickly, slammed it up, and went inside. The letters got thrown on the kitchen table in a pile of other junk, and I went back to bed.

Maybe I’ll walk up tomorrow and find that none of this really happened, I thought. But I knew that wouldn’t be the case.

As I expected, the letter was still there in the morning.

I looked down at the table covered in junk--papers, ads, a wadded up cardigan, more unopened letters, and that bizarre letter delivered by night. It had no address listed, nor a return address. Not even a stamp. The only thing present on the envelope was the inky black seal holding it together--an open eye in front of a black crescent moon. The rest of the envelope was empty and barren. I lifted the letter from the stack of junk on the table and stared at it. The seal--the eye--stared back.

“An eye and a moon,” I mumbled out loud into a mug of coffee. “The moon makes sense. You were delivered by night, after all. But what’s this eye?” Something about the eye made my insides churn and swirl, as if the eye was watching me back, waiting for me to open it.

“Well, there’s no writing on you. No address listed, or a place I could send you back. That means there’s no way for me to know that you were intended for me. Were you supposed to be delivered to someone else?” I asked the letter hopefully.

The letter did not respond, but it did blink.

I smacked the letter face down on the table. “Now you’ve got nothing to look at except this table. How about that?” I muttered. Then I went about my day, trying to put the whole ordeal out of my mind, telling myself I had only imagined it, that I was just groggy and seeing things.

My co-worker rambled on while we stood in the back, working our line stations, preparing the food as it came through for our meger little restaurant. He did this--his rambling-- non-stop, every shift.

“I’m just saying,” he began, waving around his tools as he spoke, “think about it. If we, as human beings, never had to sleep, wouldn’t that be incredible? I get that sleep is like, mentally beneficial too, but I think I’d be fine. I could handle it. I know I could. Think of all the stuff you could get done with all that time.” The orders kept coming through, but we’d done these tasks over and over countless times. We could zone out and work on auto-pilot by now no problem.

“You know what I’d do?” he continued. “I’d catch up on all the entertainment I’ve been putting off. Lotta good TV shows and movies out there I’ve been sleeping on. It’s hard to keep up with it all. Know what I mean?”

More orders came through. The head chef yelled some orders. My coworker and I continued chopping and prepping vegetables.

“Anyway, what would you do? You know, if we never had to sleep. You got anything you’ve been ignoring? Anything you’ve been putting off?”

His words were only partially reaching me, like some far-off transmission that was coming through crackling and broken.

“Hey--did you get any of that?” He waved a hand (which held a prep knife) back and forth, trying to get my attention.

I snapped out of it and looked up. “Did I what?”

My coworker laughed one firm syllable of laughter that sounded like half joy, half coughing up a rock, and shook his head. “You didn’t get a single word I said, did you?”

“Of course I did. You were saying…”

He held up a hand. “Save it. I’m just bullshitting anyway, trying to pass time. Are you alright, though? You seem kind of out of it.”

I was thinking of that man appearing at night to deliver letters, thinking of the letter with the mysterious seal, thinking whether it blinked at me or if I’d imagined it, thinking of which would be worse if one of those had to be true, thinking of...

“I’m not out of it. I’m--I’m totally in it. Just tired.”

“Totally in it. Sure.”

After a month, I had a box full of letters all delivered by the same postman at night. He had continued to appear every few nights, leaving more and more letters each time, all bearing the same seal with the eye in front of the moon. I heard the grating metal creak of the mailbox every time he appeared. I still hadn’t opened a single one, but I also couldn’t bring myself to throw them away. I’m not sure why. Perhaps somewhere in the back of my mind I assumed they’d just find their way back anyway.

One night I decided to approach the issue directly. The buildup of letters, the creaking mailbox every few nights, the seals all wanting to stare at me, it all became too much to ignore any longer. I stayed up and sat on the porch with the light on, sipping a mug of coffee and waiting.

The night was cloudy and cold. Crunchy leaves skitted down the street in the wind. The branches of trees bobbed up and down like waves. A crescent moon hung in the sky, partially obscured by puffs of cloud.

What am I doing? I began to wonder after some time had passed. I’m out here freezing, waiting for some stranger in the night to appear so I can do what, exactly? What if they never show up, and I waste all this time waiting around? I feel like a fool, sitting here in the middle of the night in the cold. What’s the point?

As these thoughts came flooding to my mind, something happened: the streetlights, one by one flickered out, like a wave of darkness sweeping down my street. The cloudy sky offered little visibility. It was now just me and my little porch light in a sea of black.

A glob of shadow stepped into view at the end of the street. It didn’t look like anything in particular at first, but took the form of a man the closer it got, passing under the now-dark streetlights. It reached the end of my driveway, and when the glob of shadow had reached my porch, it became the postman from before. He wore the same uniform and cap (which I now saw had the same seal as the letters on it), and had his satchel of letters slung over his back. He trudged slowly as if he was an old, crude machine running on fumes.

“I knew you’d show up eventually,” I said.

The glum, exhausted-looking postman grumbled a low noise, not quite a laugh. He said, “Is that right.” It was a deep, flat statement, barely a question. Then he reached into his bag and removed a stack of letters.

“Guess I don’t need to use the mailbox, since you’re right here,” he said. He took one step up without actually stepping onto the porch and held out the stack of letters for me to take.

I sat there without saying anything. The man lowered his arm and stood at the base of the porch, giving me a look that said are you really going to keep me waiting?”

“Who are you?” I finally said.

The man groaned and rubbed his forehead. “I don’t got time for all this,” he said. “You’re not my only stop, you know.” The man took a thermos from his side, emptying the last few droplets of its contents. He tipped it upside down, saw that nothing came out, and said, “Just great,” under his breath.

I stood up. “If I invite you in, will you answer some questions for me? I’ll give you a refill for your troubles.”

The postman walked past me, opening the door himself and leading the way in.

“Better make it quick,” he said.

The man guzzled his piping hot thermos without pause as we sat inside. He took a loveseat in the corner. I sat on a couch in front of a coffee table. The man finished his entire scalding drink in seconds and let out a long sigh as he lounged back in his chair. He looked as if this was the most comfortable he’d been in a lifetime.

“Hot as hell and black as death. Just the way I like it,” he said. “I’ll take another.”

Is this really such a good idea? I wondered as I got up to refill his thermos. Here I am with this odd stranger of the night in my house, sipping drinks and acting like this is completely normal. This could go south very quickly.

As soon as I had refilled his thermos again, he slugged down a good chunk of it in one go. “Traveling at night, the way I do--it takes a lot of energy. Gotta stay fueled up,” he said. His eyes still rested above layers of exhausted shadow, his cheeks still drooping like raindrops running down glass, but this had at least perked him up a tiny degree.

“Listen,” I said. “I know you’re not…”

“Like you? Yeah, you’re not wrong. Guess delivering mail in the middle of the night was a dead give away, huh? I’m somethin’ else.”

“Then what are you? Who are you? Why are you delivering these strange letters to me in the middle of the night?”

“Me? I’m just doing a job. Some things can only be delivered at night, so it falls on me to make sure they reach their owner. Even you should be able to understand that.”

“What’s that supposed to mean?” I said defensively.

The man took a long sip from his thermos and exhaled a loud, tired sigh once more. “Maybe you oughta actually read one of those letters. Ever think of that?”

“How do you know I haven’t?”

“I’d know,” he said instantly, not missing a beat, staring right at me without blinking. “I’d know if one of the seals cracked. Just one of the things I can do. I tried getting your attention with them--see if you’d notice they aren’t just your usual junk mail you can ignore. But right now, all those eyes on the seal are seeing is black. Can’t see nothin’ at all, which makes me think you’ve stashed them away in a box somewhere.” Another long sip, and then, “Am I wrong?”

I paused before answering. A long, icy pause. “These didn’t seem like the type of letters that I’d look forward to reading.”

The man chuckled a cynic’s laugh.“‘Course not. But what are you gonna do? Let them stack up to the heavens? Let their numbers grow until you can’t count them anymore? You can throw them in a box and stuff the box in a corner, but it’ll still be there.” As he was speaking, his face changed.

“Ignoring them don’t make them disappear,” he said through voices and mouths and rows of broken teeth and empty eyes.

“They’re still gonna be there each day you wake up.” Two horns, one chipped in half, burst through his cap.

“They can’t just rest in a box, like a pile of junk. So you gotta do something about it.” Wings that covered the walls and windows like ripped, black curtains sprouted from his back. The room--the house--shrunk, as if it was a single small room with just this thing and I.

“Then what--what do I do?” I asked earnestly.

“Well, open one up for starters,” he said plainly. The man was back to normal. He adjusted in the chair as if it’d suddenly grown uncomfortable, then rested easily again. “Then, you gotta write it back. You can use the same envelope it came in. The seal will reseal itself. Don’t even gotta write nothin’ on the envelope. No need for a stamp. Just leave it in the mailbox at night and I’ll take it where it oughta go. Even you can handle that much, right?”

I leaned back on the couch, sighing in relief that this strange man, and the room, had gone back to normal. I stared up at the ceiling, letting my mind catch up for a moment. “I don’t know whether you’re...good, or bad, or what,” out loud, unsure whether I was asking him personally or just letting my thoughts slip out.

“I’m not nothin’. Don’t know anything about that stuff. I’m just doing a job, remember? What you do is none of my business. All I gotta do is get the letters here. After that, it’s on you. I’m just telling you what to do with those letters, if you so choose, since you haven’t figured out yet that you actually have to open the things. Now, refill me for the road.”

I did as he asked and saw him out. The postman stood up slowly, like a pile of bones trying to come back to life, and trudged out the door. He glugged down a huge portion of blazing coffee, exhaling a cloudy breath visible in the night. “Still got a lot of stops left tonight,” he grumbled. “But this oughta get me pretty far.” He lifted the thermos like he was toasting--probably the closest thing to “thanks” I’d get out of him--then stepped out of the porch light and into the dark, reverting back to a glob of shadow as he did so before disappearing completely, as if he were never here at all.

I didn’t think I’d be able to sleep just yet, so I went upstairs and took out the box of letters. I picked one at random, and opened the seal.

Junk: Stephen Wisniewski

01. Writer

Stephen Wisniewski


02. Theme

Junk


03. MUSIC INSPIRATION

Hüsker Dü:
Too Much Spice


04. WRITING

In the 1600s, Europeans were in love with nutmeg.

It was believed to have beneficial medicinal properties, and it was also delicious. And exotic, and expensive, so wealthy Europeans displayed it prominently on their tables as a marker of status.

Lots of exotic spices were expensive at the time, and difficult to get — Europeans knew only one island in an Indonesian archipelago where nutmeg grew, and the indigenous islanders had developed their own system of trading and selling it. So the Dutch, who wanted a monopoly in the lucrative "Spice Islands" deported or murdered the indigenous people to gain control of the territory. They would run islanders off of cliffs to their death, or behead them. In the end, the Dutch murdered over 90% of the indigenous people. Every sprinkle of nutmeg has been soaked in blood and is screaming with ghosts.

Over time, nutmeg plants were smuggled out and came to be cultivated on other Indonesian and Caribbean islands. One of them was controlled by the British, and in the mid-1600s, the Dutch wanted that island, too. So they made a deal: the British would trade that nutmeg-growing island for Dutch-controlled New Amsterdam — what is today Manhattan.

Several years ago, I was in New York City helping a friend move out of his tiny apartment and back to Michigan. It was summer, and so everything in New York was sticky and smelled of garbage. We had reached the point in packing up a home where you begin making ruthless choices about what you are willing to put in a box; about what you REALLY want to take with you. In the kitchen, sacrifices were made in the spice rack: nutmeg, peppercorns, cloves.

"I haven't even used most of this stuff in three years." 

So we threw it all away. He'd buy everything new once we got back home.

Junk: Katie Mizell

01. Writer

Katie Mizell


02. Theme

Junk


03. MUSIC INSPIRATION

Fleurie:
Hurts Like Hell


04. WRITING

I never prepared. I never planned. I am not the list-making, contingency plan type person.

My mother always called me her break-loose baby. From the moment I was born, on my own time. All things on my own time, I was proud of that. The idea of planning just makes me itchy, so I never have. And now, standing in her front hall, shaking hands with black-clad strangers in long faces, I wish my mother had been wrong about me.

A chorus of solemn "bye-bye Jessica", and "we love you sweetheart" died in the door frame as I waved the last guests out. Shutting the door with a muffled click, I pressed my back to the wood and sagged.

She was gone so fast. No one could have been prepared. That's wrong, maybe someone could but I couldn't, because I don’t make plans.

If I went to therapy may be some kind woman in a cashmere sweater would tell me that my spontaneity comes from a fear of being boxed in by expectation. But I never went to therapy...because I knew what would be said. I never thought of my whimsical life as being something that needed fixing.

Now, standing amongst the clutter of my mother's life, I wish she was still with me because she would have had a plan:

Step 1 - end wake with grace
Step 2 - clean the kitchen
Step 3 - sort living room, dining room, bedrooms, study into manageable piles
• Keep
• Sell
• Donate
• Trash

That would be her list, I could see it as clear as if it were written down. As if she had anticipated this day all along, even if I couldn't. I could follow that plan, I supposed.

As I tapped the heel of my sensible, funeral appropriate shoe against the door frame I groaned. I don't like plans, but now I needed one. Was this the right plan? Maybe I could call someone to tell me, but that felt like giving up. I couldn't do that to my mother, that wasn't fair. It was my job to take care of this one, huge, monumental thing; the weight of parental pressure is never gone, I guess. My hands beginning to shake, I kicked my shoes into the dining room and stalked the kitchen thinking about lists.

Step 1 - open fridge
Step 2 - uncork wine
Step 3 - massive swallow
Step 4 - pull up your big girl panties
Step 5 - massive swallow

“I can do a fucking list,” I declared into silence. “I can totally do a list.”

Step 6 - massive swallow.

“Jessica Conroy, do-er of tasks,” I sighed. Bottle in hand I made my way to the bedroom to take off my funeral dress.

------

I am not a planner. Case in point: the nap I was waking from was completely unplanned. Pushing up onto my elbows, I took stock of myself. Funeral dress off. Underwear on. On top of the covers with my pantyhose still cutting into my waist. The list was getting off to a bang-up start.

The sense of shame when the clock told me I had slept away the best part of an afternoon cannot be overstated. Jessica Conroy, do-er of nothing, meeting all expectations. I could feel myself getting sucked into the bedspread, despair weighing me down. One job, just one, and I was already failing.

The mounting depression was quickly overtaken by the anger of my protesting ego. I had made the plan, it might have been a shadow of what my mother could plan but I had made it and I would complete it, check by brutal check. I am not a planner, but damn it I finish what I start. Climbing off the bed I rolled my pantyhose down, tossing them in the garbage before pulling on yoga pants and a t-shirt. I stomped to the study, pulling my hair up as I went. That is where I would start.

“Right,” I grumbled, “sort into manageable piles: keep, sell, donate, trash.” I could do this.

------

My mother's study is a beautiful place. A large picture window makes up most of the south-facing wall. During the day you could watch the wind dance through the perfectly cultivated garden she loved so much. At night, the window became a mirror, reflecting the rest of the room, bathed in the warm light of the lamps she had artfully placed. It was a mirror of grand design, in size and scale, a perfect reflection of her comfort zone.

In that reflection were walls lined in books, shelves on shelves of useful and important things. Cluttered in amongst the collection were the nick-nacks she had accumulated over a lifetime: tiny statues, bookends holding nothing, a clock, a small brass bell, photos of vacations and holidays. I saw my mother's life in that window, a series of memories scattered around the room where she had lived the most. And right there in the middle of it all, me, looking frazzled and overwhelmed and oh so very sad.

Where was I even supposed to begin in a room like this? How does one decide which parts of a life are worth keeping? In that moment I wanted to decide that everything should stay exactly where it was, a monument to a woman forever separated from her treasures. A museum of unappreciated things.

I felt stuck to the floor, unmoving and afraid. My eyes burned, my breath stuck, my heart froze between beats. I had lived so much of my life in this room. I had loved so much of my life in this room. The moment was a massive testament to my loss and I didn't want to face it. It felt unfair that I had to feel this hurt alone. I was desolate in this big room of books which had no pity for me.

For one glorious moment I was a petulant child, angry in my grief. I grabbed that anger like a lifeline, pulling myself from the sinking ship of my own mourning, and turned from the window.

The small, wooden desk in the corner was as good a place as any to start my list.

“Paperwork. Easy enough. Keep, sell, donate, trash.” I released a long sigh and opened a drawer.

------

Bills and letters. Notes and vital records. Christmas cards and birthday cards and fucking valentines. My mother had kept anything of even trivial importance, perfectly labeled and sorted, in the seemingly endless drawers of her old wooden desk.

I had gone through every piece meticulously, read and re-read documents for importance and stacked them into their designated piles.

Keep

Sell

Donate

Trash

Mostly just trash. Why my mother ever thought a paid energy bill from 2003 was ever going to matter was beyond me. There was some stuff to keep though, and some to give to family who might appreciate the letters she kept so well preserved. The desk was done, each pile neatly on top waiting for its final destination.

While I was sorting I found an appraisal estimate for the book collection, completed eight years ago, and in the morning I would call the shop to see if they wanted to buy it outright. I would box up the pictures and collectibles for family and friends to take. Something to remember her by. I would keep the cozy reading chair and lamp for myself. I would hold on to this efficiency as hard as I could and make each room in this empty house as sorted and organized as this desk.

My hands were sore and my neck ached. I leaned back in the leather rolling chair with a smirk etched on my face. I could feel something inside me beginning to rise up, it was warm and pleasant, maybe a little giddy. I think it might have been satisfaction. Working through this list felt good in a way I had not expected.

I reached for the center drawer, the last of the seemingly endless drawers for me to sort. I expected rubber bands and paperclips, maybe stamps or pennies. I expected the general detritus of a life lived at a desk, shoved away into the top drawer for later sorting that never got done. Instead I found a single piece of paper, meticulously folded in two, my mother’s angular handwriting shouting a single word: Jessi.

I wanted to scream. I wanted to cry. I wanted to burn the page and walk away as my neatly sorted piles caught flame and took this house away with them.

Keep
Sell
Donate
Trash

Ashes.

Reaching for the paper with shaking hands I could feel my heart speed away in my chest. A righteous growl ripped through me and I bared my teeth at that single word.

Jessi.

Whatever posthumous, heartfelt, movie-ending-worthy forgiveness in this letter was bullshit. I didn't need it. And I certainly didn't need the sting in my eyes, or the lump in my throat.

I didn't want any of this. But here I was, sorting a life into useful piles.

Keep
Sell
Donate
Trash

This letter would have its place. I unfolded the note with trembling fingers. Whatever was here would go into a stack just like everything else.

My mother's handwriting had always been so intriguing to me. It looked like spider legs, thin and black, scattered across the page. I used to try to mimic it when I was younger, but it never looked the same. Now, faced with the lettering again, I wondered why I ever admired it so much.

Jessi Girl,

I know the house is daunting and I’m sorry. Call Uncle Charlie and Aunt Sue, call Leslie, they will help. But if you don't want to, here's a lifeline

Westbrook Estate
1194 W 13th

Next door to that dentist I hated, remember? The one with the terrible breath. How can I dentist have terrible breath?

You don't have to do this, baby.
Love Mama

I read the note again and again. Each time I tried to find the subtext I was missing, and found nothing. It was just a note. The last note my mother ever left me. I didn't notice the dry tear smudge on the corner of the page until the fourth time through. I didn't know if it was hers or mine, and I probably never would.

Laughing quietly through the pain, I gently folded the note again and set it on top of the shortest stack: keep.

I would start in the kitchen in the morning. Jessica Conroy, getting shit done.

Junk: George Lukezic

01. Writer

George Lukezic


02. Theme

Junk


03. MUSIC INSPIRATION

Paul McCartney:
Junk


04. WRITING

My Junky Day

After a long night with a junk head
I woke up late to a junk heap
A junk pile
The place I call home
The radio was playing Simple Man by the Junkyard Band
I got out of bed and ate junk food for breakfast 
A recipe I got from some old junk food news
I checked out yesterday’s junk mail
Also looked at my junk e-mail and my junk bonds
Later that day I went to the junk shop
It was at the entrance of the junkyard
The junk dealer said he had some space junk
There had to be something there to make junk art
I found just what I needed and went home 
I called my junk head friend to come over to help me create
We cleared a spot at home to make room for our junk art
We moved the junk heap to another spot
Then straightened up the junk pile
We were ready to start, but
We crashed for the rest of the day
Maybe we will try again later
The junk will still be junk tomorrow

Balance: Eric Doucette

01. Writer

Eric Doucette


02. Theme

Balance


03. MUSIC INSPIRATION

Jets to Brazil:
*******


04. WRITING

Alpha
_________
I got it one time
And so consistency shall reign.
Everyone's your life coach.
Teach you how to play their game.

When you're 25
The rules still haven't changed.
And you start to realize
There are no other games to play.

I am an alpha supreme.
My frame is finished goods.
Prop me up in front
With god before the flood.

I will be the lead.
Begrudgingly, the lead.
________________

Beta
_________
The path will go left.
And I follow to the end.
With nothing gained
I start again.

The path will go right.
And I follow to the end.
All patterns of light
But my time is a sin.

I am a beta test
For the one who will take me over
In the end.

Are they with the starting blast
Until the end?
________________

*****
_________
I am always here.
The void of blackness lives.
Your problems won't arise
Unless I say they ever did.

I am the reason that you are.
From nothing comes your bones.
No way to say how far
But find out on your own.

I am the weight
Upon which
You grow.

I am the weight
Upon which
We all float.
________________

Balance: David Beuthin

01. Writer

David Beuthin


02. Theme

Balance


03. MUSIC INSPIRATION

Code Orange Kids:
Colors (Into Nothing)


04. WRITING

youth fleeting from inside my body
but staying true on the outside
reasons my world is contrasted

treated the choices
consumed by dreams
neither work favorably

cold to touch
I brought you down with me
shook my worlds until collision

truth be told then
live so graceful ascend to the knowledge
we find the surface
we find each other

Balance: Michelle Lukezic

01. Writer

Michelle Lukezic


02. Theme

Balance


03. MUSIC INSPIRATION

Brandi Carlile:
The Story


04. WRITING

Some friends and I do this thing called Question of the Day (QoTD). We take turns being the question’er, and everyone always answers. A good question, in QoTD, is defined by how profound the insights are in our answers. 

QoTD: Other than friends/family what do you miss most about your hometown?

… (easy question, not very deep, should be able to nail this in a sentence or two) …
… (trying to answer in spin class) …
… (trying to answer on walk home) …
… (trying to answer as I put the dishes away) …
… (I don’t miss anything from my hometown) … 
… (I really don’t miss a goddamn thing from that place) …

Well, miss… no.
I miss absolutely nothing.
But, value… maybe.

Artifacts.  

The train tracks... where we walked and solved math problems… adoration.
The coffee shop... where we discovered our music… infatuation. 
The basketball courts where 3-on-3 in the sun and all the fucking cursing coalesced… thrill.
The slope under the bridge… where we made-out… exhilaration.
The library… where we developed our love for research and books… curiosity.
The lunch table… where we sat quietly watching each other’s back… empathy. 
The park… where we would draw in our sketchbooks… acceptance.

The desk… where the paper with the red ink resided… disappointment. 
The swimming pool… where they pointed and laughed… humiliation. 
The phone… which received the call saying Cindy had to be put to sleep… grief. 
The journal… read out loud to all the classmates… rage.
The gravel… where I bit-it face-first… mortification.
The scale at the doctor's office... where the nurse chuckled... embarrassment. 
The drive-way… where I sat still after the eight-hour car ride back from Ohio… loneliness.

… (sigh) …

Everyone's hometown has these artifacts. Right? 

… (hometown) …
… (miss) …

I suppose I don’t miss my hometown one-bit.
It is not a place I want to go back to.

But those seemingly ambiguous artifacts;
I can not deny that they profoundly define me. 

Balance: Katie Mizell

01. Writer

Katie Mizell


02. Theme

Balance


03. MUSIC INSPIRATION

Mitski, Xiu Xiu:
Between the Breaths


04. WRITING

Motherhood. I’m new to it.

And at the same time I have been a mother for eternity.

11 weeks in this world. 39 weeks in my womb. Infinity in my soul.

I thought I was prepared, as prepared as anyone could be, for the realities of motherhood but I couldn’t have been. Nothing can make you ready for the moment you have such fragile perfection in your arms. And thank god for that, because if I had known I never would have done it. It’s too frightening, and too fulfilling, to dedicate yourself to caring for a new life.

Fulfilling because a missing piece of you has been found.

Frightening because you will lose everything that you were, and are.

When I was pregnant I pulled a tarot reading for myself, just out of curiosity, to see what might be coming my way. I remember the hand: Ace of Cups, The Devil, and The Tower. I fixated on The Tower because it symbolizes destruction. It scared me; the image of a massive pyre, burning in the night.

Because of that card I spent much of my pregnancy in fear. When the universe tells you that your pregnancy will destroy you, fear is a reasonable reaction. My pregnancy was high risk, was that what the card meant? Was my life in danger? Was my baby in danger? There were days when The Tower haunted me, and I knew I would fail somehow.

But Felix was born, my body recovered, and I thought maybe the cards were wrong. Then, a few weeks ago I remembered that card and realized just exactly how right it was.

The birth of my son did destroy me.

In motherhood I was torn down. Nothing of who I was before him remained in the wake of his arrival. I wasn’t Katie, wife and witch, I wasn’t the armchair comedian and book lover I remembered, I was only mommy. I felt so honored to be just that. I could see the flames of motherhood licking at my feet, burning away everything I was before. I wanted to drown in the warmth of it. I had lost my identity entirely.

I stared into the sleeping face of my son, marveled at the miracle of him, and then I laid him in his bassinet, and sat there remembering what it was to be Katie, with no baby at my breast.

Since that moment my faltering steps toward self-discovery haven’t taught me much about who I am. I regularly find myself back at the beginning, struggling to back away from the consuming warmth of mothering.

Every day I am faced with a choice: be a mother, or be wholly myself. Making the choice leaves me guilty every time. Either I feel like I’m neglecting my son, or I feel like I’m neglecting everything I am without him. I struggle to set him down, to allow myself to exist without the desperate connection we share. I see how easy it would be to let go of who I am and never look back.

But every so often there is a moment of balance, a single breath where I know myself as everything I was before and everything I am now. I cling to that moment, where I am not afraid, and I am not burning, and I am not lost. I hold my son tight. I hold that moment tight.  He knows who I am. I know who I am.

Balance: Brian Stout

01. Writer

Brian Stout


02. Theme

Balance


03. MUSIC INSPIRATION

Atmosphere:
God Loves Ugly


04. WRITING

I moved to Ypsilanti for school in summer 2002. I rented one-bedroom apartment on the wrong side of the tracks of the city that’s on the wrong side of the tracks. Arriving fresh from Flint and being a broke student, I blended. I reveled in the low thump of my neighbors bumping Jay-Z and the contact buzz of my GN’F’N’R-loving neighbor who always blasted those hockey games a little too loud. Poor. Ugly. Happy. Just like the Avail t-shirt. A last blast before adulthood set in.

A few months earlier, I’d discovered that there was a whole world of hip hop talking about more than cars and girls and money. I became obsessed. The message wasn’t all that different from my punk rock and emo favorites from the preceding few years, but somehow it sounded more empowering when rapped. I felt a confidence emanating from it where I thought my indie rock heroes were commiserating and I was encouraged to continue to stare at my belly button. Sean Daley, El-P, Aesop Rock, and peers seemed to say, “Yeah, I’m messed up. What of it? Still got a life to live,” instead of “I’m so sad. Guess I’ll LiveJournal or hunker down in my apartment.” 

Nevertheless, my neck was still sore from gazing at my navel. I moped out to Ryan Adams, Interpol, and Jets to Brazil just like any card-carrying mid-twenties indie rocker did. And I latched onto the relentlessly downbeat one-liners in Control. The influence of Americana seeped in further after 9/11. For most of my friends, the closest we came to patriotism reborn was discovering protest songs from earlier times and bumping “Makeshift Patriot” by Sage Francis.

The CD burning parties started as soon as I hooked up with a couple friends who had also moved to the area from Flint. All of us broke students. All of us music lovers. No Spotify or bargain subscription services to satisfy our need to discover new music.

But we did have computers with CD burners (paid that extra $150 to get that standard on my Dell desktop), and CD-Rs were a bargain at 25 for $25.00. When we were particularly broke, we would even share those. What’s a dollar or two among friends, especially if it meant converting someone to one of your idiosyncratic favorites?

It went like this—once a month on Saturday nights:

  1. Bring the last few CDs you bought, including any special requests. Or bring ones you really want to share with others. We were all pretty familiar with each other’s collections.

  2. Bring some beer, even if all you can swing is a couple of 40s.

  3. Bring your blank CDs, and be willing to share if needed.

I wasn’t convinced that I needed to spend $12 on Bright Eyes’ latest opus, but I was happy to give it a shot for a blank disc. It turned out to be the one that helped me get past the preciousness to see the talent sandwiched in between indulgent intros and long-winded outros. I got to indulge in many bands I’d heard of but not yet heard, like Rilo Kiley, Milemarker, and many others, and to fill in the holes of discographies.

And I was happy to provide another copy of Yankee Hotel Foxtrot or Source Tags and Codes upon request, while encouraging friends to burn a copy of Emergency Rations or Fantastic Damage or Labor Days, too.

We also had great debates. I remember having a heated one over whether Turn on the Bright LightsYHF, or Source Tags was the best record of 2002.  

Do people still do this in person? Don’t tell me if they don’t. So much of my misspent youth was wrapped up in talking music, raising glasses to the soundtrack of our lives. If not, something major has been lost. It seems like none of us have the time for this in mid-life, and I imagine that's good. Be glad that it happened, be glad that it was.

I wore my scars like the rings on a pimp that year. The next year Atmosphere encouraged me to find a balance. I probably burned that disc a few times for friends, too.

Balance: Sam Moore

01. Writer

Sam Moore


02. Theme

Balance


03. MUSIC INSPIRATION

Uyama Hiroto:
Yin and Yang


04. WRITING

At some point, the night had stopped arriving as it ought to over our town. Most days were blanketed in daytime and sunlight, and the night would only arrive in fits and spurts. It would appear at random, sometimes only for a few moments and, at best, maybe half an hour, as if were nothing more than a large cloud that had passed in front of the sun and billowed away shortly thereafter. Then the night would fade away like a heavy fog at dawn, and the world would be coated in an orange glow once again.

            A couple times a week I would work at a small restaurant in town, washing dishes after school. Walking home late at “night”, the sun only ever got as low as dusk. I had taken for granted just how soothing the night could be after a long days work. A deep blue sky, a slight breeze, a crescent moon hanging like an ornament. It seemed right. The natural flow of things. When I got home I put on a sweatshirt, heated up a cup of tea, grabbed a book, and set up comfortably on the porch. The grasshopper that keeps me company showed up right on time as usual, flittering his way onto the porch. He had started showing up right about the same time the night had stopped doing so. He perched himself on the railing in front of me.

            “Is that tea I smell?” he asked, bouncing up and down the railing. “Judging by the looks of you, I’m betting we both had long days. Why don’t you spare me a few drops of that tea and we’ll talk it over?”

            I could always count on him to show up with his hands out, asking for a sip of tea or nibble of fruit. But it’s not like I couldn’t spare such tiny portions anyway. The trade-off was some much needed company to an otherwise lonely house. After school, I would usually spend time at the library and keep to myself when I got home. I smiled a tired smile and stood up, snatching a leaf off of the tree growing by the porch. After coiling up its edges to keep it from spilling, I poured a few drops of hot tea into the leaf and set it down for the grasshopper. The grasshopper sipped up a droplet out of the leaf and let out a deep sigh of relief.

            “Jasmine green, is it? A good choice. You know, not many people would assume it but I’ve got quite the refined palate when it comes to tea. You live as long as me, you pick up on these things. I’m quite proud of it, actually. Anyway, what’s on your mind?”

            “It’s the night. Or rather the lack thereof. Ever since it stopped appearing normally, it feels like everything is—”

“—Out of balance,” the grasshopper finished. “Right you are. Many had taken the night for granted and assumed it would always be there for us. Who’s to stop it from disappearing if it feels underappreciated?” The grasshopper paused to take another drink, then continued. “And now the balance—daytime and nighttime—are off. You can see its effects in the world around you. Just as the world needs sunlight to stay alive, so too does it need moonlight. The trees are withering and turning pale. So are the grass and fields. Even this leaf you poured my tea into is slightly pallid. The world—all of us—need to breathe in the night air if it has any hope of getting better. Big, deep gulps of night air in our lungs. You and I, I can tell we both need it. Otherwise, I fear things will only get worse.”

“But how can we convince the night to come back? The only time lately I ever witness it for long stretches of time are while I’m asleep, in my dreams.”

At this, the grasshopper’s antennae perked up. “In your dreams, you say?”

“I never remember much,” I said, digging around in my mental drawers, trying to find any useful details. “It’s always night. Clear and tranquil. That much I know. I think I’m moving through a forest, like I’m trying to get somewhere. Or maybe find someone. But I never get far before I wake up. I feel like I’m wandering in circles. The rest is too hazy, too foggy, to recall.”

“I don’t think this is any coincidence,” said the grasshopper, scratching his chin with a long appendage. “The dreamworld and the night world are similar, both strange and full of magic. Sometimes they overlap, making it difficult to tell which one you’re really in. I believe the key to fixing the balance lies somewhere in your dreams.”

 

The town grew ever restless, literally, as the night continued to hide its face except for its brief appearances once every few days and at worst, once a week.

            “I can’t seem to sleep normally,” an older woman had told me at work. “Sleep only comes in fragments, just the same as the night.”

            “How come this only happens in our town?” said a classmate. “Nothing amazing ever happens here. Nothing, except for this. Our town is the worst.”

            “Business is bad,” my boss had said at work. “My employees are exhausted, sales are down, and I don’t know what to do. Somebody needs to do something. But how do you make the night come back like it’s supposed to? It’s like it’s been stolen away.”

            The world itself seemed to be losing steam as well. The sky had begun draining of its color, its normal vibrant blue seeping away into a colorless hue. The bark of trees was turning the color of dirty snow, its leaves doing the same and growing too weak to hold onto the branches. It was like approaching the end of autumn, but sapped of any beauty.

            Someone did need to do something. Luckily, the grasshopper and I had been working on a plan.

 

“Here’s what you’ll do,” the grasshopper had said. “Every time you have a dream that takes place at night, I want you to treat it like it’s real. Remember that the dreamworld and the night world can overlap, the same way the sun is sometimes out during the rain. So each time you have that same dream where you’re trying to navigate that strange forest, I want you to immediately write down what you remember from the dream the second you wake up. Where you went, what you did, what directions you took.”

            “We’re making a map?”

            “Precisely.”

 

            After several weeks of writing and plotting, we had a functioning map. The forest in my dream was always the same one, and we wanted to find out what was in the heart of it. Hopefully something to bring the night back in its proper form. By jotting down what I remembered after each dream, we had begun honing in on the center of the forest.

            “Left, then right, over the small brook…”

            “Past the owl perched on the sad-looking tree—”

            “—but not too far past, or you’ll wind up back at the beginning.”

            “Right. The rules of the dreamworld are strange like that. By the way, why don’t you refill my leaf with more of that tea? I’m no help without it, you know.”

            Looking over my tattered notebook full of scribbles, directions, a map and key with symbols, I could tell we were close. I knew where to turn, which places to avoid, what to look for. Each dream I got a bit further in, scribbled down more notes, and got closer to something. What it was, I couldn’t be sure yet but I knew it was within reach. Hopefully it was the key to restoring some much-needed balance.

            In the meantime, the town was getting worse. The vibrancy of our little world was all but gone. Without the night to keep things in balance, the world was growing weary. What once resembled a colorful painting now looked like a crudely sketched image done with a dull pencil.

            “I really hope I figure out what’s at the center of the forest in my dreams soon,” I had told the grasshopper one “night”, which was much closer to dusk. “I know I’m close. I bet the next time this dream occurs I’ll make it there. And I hope you’re right about it being the key to fixing things.”

            The grasshopper didn’t seem worried at all. He languidly nibbled a small piece of melon I set on the porch and took his time responding. “I wouldn’t worry about it if I were you,” he finally said. “It either is or it isn’t. One or the other. Nothing you can do about the outcome, right? All you can do is try and find a solution. Look high and low, overturn every rock, see what turns up. After that, it’s out of your hands, isn’t it?”

 

Sure enough, the same dream returned several days later.

            The night is beautiful in my dream. The moon is full and beaming and stars blanket the sky. A couple tuffs of clouds billow by lazily, enjoying the deep blue sky like they’re floating on a peaceful lake. The forest is thick, but patchy enough that the moonlight shines through the trees and branches and leaves and brings enough visibility to get around. It isn’t so much dark as it dipped in a mellow, deep blue.

            I always begin in the same spot, a tiny meadow with a chopped down tree stump in the center that looks like a lonely chair in an empty room. From there, through trial and error, I could make my way in closer to the heart of the forest. There are vague, subtle paths in this forest if you know where to look. I’ve been here enough and studied its clues enough to get a sense of direction. Sometimes it’s in the way the grass clears at certain points, forming a path. Or the trees line both sides of small clearing like they’re creating a hallway. Lucky for me, this knowledge always stuck with me even from the real world into the dreamworld. It seemed the grasshopper was right—the dreamworld and the nightworld do overlap.

 As I crept further in, I had passed a small brook and was approaching the deepest point I had reached thus far. There was a large tree—the largest I’d seen in this forest thus far. It stood like a wooden giant guarding some sort of treasure. I had gotten tripped up here a number of times, taken a wrong turn, and found myself back at the start. The last time I made it here I had woken up before getting the chance to test my hypothesis on what the clue was, telling me where to go next. I stared at this wooden giant, sizing it up and down. A long, craggly branch stuck straight out in the front of the large tree as if it were an accusatory finger pointing back at me. But on second thought...

“I think I’ve finally figured you out,” I thought, and then turned directly around. My hypothesis was correct—it wasn’t pointing at me, it was just pointing back the way I came. And sure enough, when I turned around I didn’t see the small brook I had recently passed. I had cracked the code—I was somewhere else.

The forest had switched over, very abruptly, and taken me into a new section of its woods I hadn’t seen yet. I was in a circular clearing with such thick trees hanging overhead that the moonlight struggled to find its way through. In this circular clearing were four different paths—four perfectly clear, visible clearings I could take between the thickest set of trees in the forest.

I looked around. This had to be the final bit before I reached the heart of the woods. Just one problem—which of these paths was the right one? There was only a one-in-four chance I’d choose correctly.

I soaked in my surroundings, trying to grasp any subtle hints the woods were leaving for me. Then, without hesitation, I chose.

 

I was walking through what seemed like a tunnel of trees, their trunks forming walls on my side and their branches blotting out the moonlight above. This had to be it—the last stretch before I had reached the heart of the forest. Just a bit further and I’d be there. But would I find a key to restoring balance to the town? Or was this still nothing but a dream, and nothing would be waiting for me once I got there?

            After some time, the “tunnel” ended. The trees cleared, forming what felt like a large room in the middle of the woods. The sky came into full view, deep and blue and starry, as if a giant lid had been removed overhead. The full moon shone down, coating the world in a watercolor blue. In the middle was a lake, serene and still as glass, with a tree stump at the edge of the water. The stump looked like a chair positioned in front of a large desk. I sat down and waited: I had arrived at the heart of the woods. Now what?

            Suddenly there was a stirring in the water, a tiny splash that began zipping back and forth. The stirring grew, picked up speed, then abruptly stopped. All was quiet and still. I waited. Then, a fish the size of a van surfaced before me, splashing water onto the dry land and sending waves pulsating from around itself as if a meteor had just crashed into the lake.

            The fish’s seafoam scales looked like armor, the whiskers hanging off the sides of its face making it appear kingly and wise. A long stem drooped from the top of its head down in front of its face with a glowing lure at the end in the shape of a crescent moon. The crescent moon lure dangled like a fancy ornament. The fish spoke:

            “You must be awfully clever to have made is this far,” he said. His voice was deep, firm, but not harsh. He sounded genuinely surprised, if not impressed, at me being here. The fish swam back and forth several meters, eyeing me up with skepticism, then continued. “You picked up on the clues in this forest and solved its riddles even though it took you a number of tries getting lost. That is no easy feat. Tell me, how did you solve the final riddle? There were four different paths you could have taken and you chose correctly. What was the key?”

            Sitting in front of this giant fish, seated on the tree stump at the edge of the water, I felt like I was being interviewed by an intimidating boss for an important job. “The key was the wind,” I finally said. “I chose the path where the leaves were pointing in the wind.”

            The fish let out a single deep, kingly chortle. “Clever, clever. You are the first person to arrive here, you know. After I had stolen the night away from over you and your town, I had dropped this specific dream you are currently having into the heads of many. Like scattering seeds over a field to see which ones would grow, I waited patiently to see if anyone would figure it out. Follow the breadcrumbs, so to speak. I must admit my faith was running low.”

            “So this is nothing but a dream?” I asked.

            “Of course it’s a dream,” said the fish. “But it seems awful real, wouldn’t you say? In any case, I’m sure you didn’t come all this way to ask me if this was a dream. What drove you to come here?”

            “The night. Without it, our town is withering away. The balance is off. You said you stole it away—could you return it?”

            The fish jumped up and fell backwards as if it were plopping into bed after a long day, resulting in another explosion of water and waves. It resurfaced after a moment, and stared up at the night sky.

            “The night. Of course I could return it, if I wished. I’m sure your town is withering and upset, but thus far nobody had wanted to do anything about it. Can you really say you miss a thing if you never go looking for it once it’s lost? You didn’t deserve the night and the balance it brought. Or perhaps you never wanted it much in the first place. In my kindness, I even spared bits and pieces of it here and there over your town. This, too, made no difference. Even after I scattered this dream over your town, none given it a second thought. Look about you: the night is strange and wonderful, is it not? I could keep it all here for myself, where it would go to better use. If I returned the gift of night back to you, could you honestly tell me that it wouldn’t go to waste?”

            I tried to think of a response, anything to counter his argument. I had ventured though these strange woods, solved its puzzles, and made it all the way here. But now I had no way to answer this final question. Insects chirped behind me like gossipy witnesses to a court trial, awaiting the judge’s decision.

            “I don’t know,” I said, finally. “All I know is that I had to make it this far, and I had to try to convince you to return that which you took. We need it. Without it, there’s no balance. But maybe you’re right. We squandered away a gift and took it for granted. If nothing can be done, then I will leave now.”

            The fish stroked one of its whiskers and let out a deep, grumbling sigh. It blew the stem and crescent moon lure that hung from its head up into the air as if it were a strand of hair it was trying to get out of its eyes. “You are right. It was a gift, and you all had ignored what it meant,” the fish said. “Still, you made it all the way here. You kept trying, even though you got lost many times, never giving up. You proved me wrong when I thought nobody would bother with doing so. Perhaps I was too swift in my judgement, my fins too grubby in their taking. I did steal away the night, but I think it is time I returned it.”

            “I am glad you came here,” the fish added before diving back underwater, creating another explosion of splashes and waves, and then dream was over.

 

Slowly, the night returned in full over our little town. Like a flower in bloom, the color and vibrancy returned and the withering came to a halt. The day and night were balanced again.

            “So he really did return it,” the grasshopper said one night after I explained to him all that had happened. “Truthfully, I wasn’t sure if he would.”

            “You sound like you know of him personally,” I said.

            “Do I? Well, if you live as long as I have you run into all sorts of characters along the way. It’s possible we’ve crossed paths, but my memory is a bit foggy these days. Who knows?” Then, he added under his breath, so soft I doubt he knew I heard him, “Perhaps he and I ought to catch up over tea soon to make sure the night is never stolen again.”

 

After that night I never saw the grasshopper again, nor did I ever again dream of strange forests and giant fish. The night has, to this day, not been stolen from our little town since then.